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Warp Player Software Now 10Bpm' displays the original bpm speed that Live has assumed the loop to be at. The bottom of the screen shows the Clip view for the 65bpm loop. This time, Live makes the incorrect assumption that the loop's tempo is close to the song's tempo, and decides that it's an eight-bar loop at 130bpm.There are a couple of ways to respond to this. I then dragged another audio file into track two (as in the screen on the left), this time of the same four-bar drum pattern recorded at 65bpm, so the sample is twice as long in real time. In this case, the guess was spot-on, as the audio file was indeed a correctly edited four-bar loop, and was at the close tempo of 132bpm. As this is nearly double the sample's native speed, it's likely to sound weird and time-compressed. However, the factor to take into consideration is that Live will now try to warp the sample to play it back at the song tempo of 125bpm. If I change the tempo here to 65bpm, the loop will be correctly re-assessed as being four bars long. The two buttons below, labelled ':2' and '*2', let you halve or double this manually (you can also type a value in). The markers always line up with points on the timeline, and between the markers Live speeds up or slows down the Clip with respect to its original tempo, in order to keep the markers aligned with the master tempo track. These markers are Live 's guide to how to stretch or compress Clips. When you import or record a loop into Live, it adds Warp Markers to the beginning and end of the Clip. These yellow points are called Warp Markers. Warp MarkersLooking again at the Clip view in the screen shot on the previous page, you will see that there are bars and beats labelled along the top of the waveform, with the first and last positions highlighted in yellow. We can ignore this and make the settings manually. As usual, Live has made a guess about the length and tempo of the Clip, assuming it's a pre-prepared loop. Here's an example: in the screen at the top, I've dragged in a short recording of an analogue synth sequence from a Pro Tools session. After locating the first bar, you can tell Live to automatically detect the tempo for the rest of the recording.Learning how to manipulate the Warp and Loop properties means that you can free yourself from using only pre-cut loops. Auto-Warp often needs some help determining where bar one should be. However, this won't be the case if you drag in a Clip that hasn't been pre-edited into a perfect loop.By manually setting bar and loop markers, you can create new loops from any audio on your hard drive. In this example, I've decided that I want to use the first four bars of the recording as a loop. The top one represents the loop start position, and the lower one is the playback (launch) start position.Hitting Play, the Clip starts on the beat, but goes out of sync because the tempo settings are wrong, which is what you'd expect at this stage. Above the first Warp Marker are two arrows. In the screen below, I've moved the bar one Warp Marker and aligned it with this peak. By dragging this marker left or right, I can set which point in the waveform is 'pinned' to bar five. Double-clicking the bar five label in the ruler turns bar five into a Warp Marker. I now need to tell Live that this point is the downbeat of bar five. Download windows parallels for macThe bottom screen shows the finished loop, with the correct original tempo of the recording displayed. This can either be done by altering the loop-length number field or by dragging the loop-end marker above the waveform to the bar five position. The final step is to change the loop length to four bars. The end marker is still in place, so everything after the bar five marker has to be slowed down to meet the subsequent time points. For electronic music with no tempo changes, as in our example, this may be just one Warp Marker (on bar one) and the detected tempo. When it finishes, you will see the results of the analysis as Warp Markers in the waveform. After dragging the Clip in, you have to wait a few moments while the 'Sample Analysis in Progress' message appears in the waveform display. Let's consider a simple example first: a techno track that starts with a four-on-the-floor kick. This happens with varying degrees of success, from pretty good to nowhere near! You usually need to make some manual refinements to auto-warped audio. It then analyses the audio using a beat-detection algorithm, and tries to add beat markers to sync the tempo with the current Live song's tempo track. This four bar bass line has been recorded intoLive, and now needs some help with timing. As there are no other markers, you can simply move it by hand and the whole grid will be realigned correctly.This recording has been correctly analysed the yellow Warp Markers indicate subtle tempo changes. Zooming in reveals that the marker is slightly late (although it's just as often early). This is very common: for some reason the bar one marker is rarely placed correctly. In the next example I imported a track of this kind and the analysis failed to identify bar one correctly. A rock track recorded with no click presents a tougher challenge. The bar and beat markers have been warped so that notes fall on the grid.
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